Creative One Word Art Works University of Hawaii at Manoa
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| Established | 1922 |
|---|---|
| Location | 900 S Beretania Street (between Ward and Victoria Streets), Honolulu, Hawaii |
| Managing director | Halona Norton-Westbrook |
| Website | www |
| Honolulu Academy of Arts | |
| U.S. National Annals of Historic Places | |
| | |
| Location | 900 S. Beretania St., Honolulu, Hawaii |
| Coordinates | 21°18′14″N 157°fifty′55″W / 21.30389°Northward 157.84861°W / 21.30389; -157.84861 Coordinates: 21°18′14″Due north 157°l′55″W / 21.30389°N 157.84861°West / 21.30389; -157.84861 |
| Congenital | 1927 |
| Architect | Bertram Goodhue |
| Architectural style | Hawaiian |
| NRHP referenceNo. | 72000415[1] |
| Added to NRHP | March 25, 1972 |
The Honolulu Museum of Art (formerly the Honolulu University of Arts) is an fine art museum in Honolulu, Hawaiʻi. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific fine art in the United States, and since its official opening on April viii, 1927, its collections have grown to more than 55,000[2] works of fine art.[3]
Clarification [edit]
The Honolulu Museum of Art was called "the finest pocket-size museum in the United Statesˮ by J. Carter Brown, managing director of the National Gallery of Art from 1969 to 1992.[4] In addition to an internationally renowned permanent collection, the museum houses innovative exhibitions, an fine art school, an independent art house theatre, a café and a museum shop. In 2011, The Gimmicky Museum gifted its assets and collection to the Honolulu University of Arts; in 2012, the combined museum inverse its name to the Honolulu Museum of Art.
The museum is accredited by the American Alliance of Museums and is registered as a National and State Historical site. In 1990, the Honolulu Museum of Art School was opened to aggrandize the program of studio art classes and workshops. In 2001, the Henry R. Luce Pavilion Complex opened with the Honolulu Museum of Art Café, Museum Shop, and Henry R. Luce Fly with 8,000 square feet (740 m2) of gallery infinite.
Collections and holdings [edit]
Mrs. Thomas Lincoln Manson Jr (Mary Groot) 1890, by John Singer Sargent. Oil on canvas (56.06" x 44.25")
The Honolulu Museum of Art has a large collection of Asian fine art, peculiarly Japanese and Chinese works. The Asian fine art collection includes more 20,000 works of art, with galleries dedicated to Japan, Mainland china, Korea, Bharat, Southeast Asia, Indonesia, and the Philippines. The collection is especially stiff in Chinese and Japanese paintings, Korean ceramics, Buddhist and Shinto sculpture, Southward and Southeast Asian sculpture and decorative arts, and textiles from across Asia. The crown jewel of the Asian art drove is the James A. Michener Drove of more than than 10,000 Japanese ukiyo-e woodblock prints, the third largest collection of its kind in the The states.[five]
Major collections include the Samuel H. Kress collection of Italian Renaissance paintings, American and European paintings and decorative arts, art of Africa, Oceania, and the Americas, textiles, contemporary fine art, and a graphics collection of over 23,000 works on paper.
The museum'south European and American collection of paintings, sculptures, decorative arts, textiles, and more than 15,000 works on paper, range in date from the Renaissance to the present. Highlights are major Impressionist, Post-Impressionist and early on modernist paintings by Georges Braque, Paul Gauguin, Vincent van Gogh, Fernand Léger, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso and James McNeill Whistler. Significant works of art from the 20th century to the present include paintings and sculptures by Lee Bontecou, Alexander Calder, Leon Golub, Philip Guston, Yan Pei Ming, Isamu Noguchi, Nam June Paik, John Singer Sargent and David Smith.
The Department of European and American Art has paintings by Josef Albers, Francis Salary, Edward Mitchell Bannister, Romare Bearden, Jean-Baptiste Belin, Bernardino di Betti (called Pinturicchio), Abraham van Beyeren, Albert Bierstadt, Carlo Bonavia, Pierre Bonnard, François Boucher, Aelbrecht Bouts, Mary Cassatt, Paul Cézanne, Giorgio de Chirico, Frederic Edwin Church, Jacopo di Cione, Edwaert Colyer, John Singleton Copley, Piero di Cosimo, Gustave Courbet, Carlo Crivelli, Jasper Francis Cropsey, Henri-Edmond Cantankerous, Stuart Davis, Edgar Degas, Eugène Delacroix, Robert Delaunay, Richard Diebenkorn, Arthur Dove, Thomas Eakins, Henri Fantin-Latour, Helen Frankenthaler, Bartolo di Fredi, January van Goyen, Francesco Granacci, Childe Hassam, Hans Hofmann, Pieter de Hooch, Adélaïde Labille-Guiard, Philip Guston, William Harnett, George Inness, Alex Katz, Paul Klee, Nicolas de Largillière, Sir Thomas Lawrence, Morris Louis, Maximilien Luce, Alessandro Magnasco, Robert Mangold, the Primary of 1518, Pierre Mignard, Claude Monet, Thomas Moran, Giovanni Battista Moroni, Grandma Moses, Robert Motherwell, Alice Neel, Kenneth Noland, Georgia O'Keeffe, Amédée Ozenfant, Charles Willson Peale, James Peale, Camille Pissarro, Fairfield Porter, Robert Priseman, Robert Rauschenberg, Odilon Redon, Diego Rivera, George Romney, Francesco de' Rossi (called Il Salviati), Carlo Saraceni, Gino Severini, Frank Stella, Gilbert Stuart, Thomas Sully, Yves Tanguy, January Philips van Thielen, Giovanni Domenico Tiepolo, Bartolomeo Vivarini, Maurice de Vlaminck and William Guy Wall.
The collection as well includes three-dimensional works by Alexander Archipenko, Robert Arneson, Leonard Baskin, Lee Bontecou, Émile Antoine Bourdelle, Nick Cavern, Dale Chihuly, John Talbott Donoghue, Jacob Epstein, David Hockney, Donald Judd, Jun Kaneko, Gaston Lachaise, Wilhelm Lehmbruck, Roy Lichtenstein, Jacques Lipschitz, Aristide Maillol, John McCracken, Claude Michel (chosen Clodion), Henry Moore, Elie Nadelman, George Nakashima, Louise Nevelson, Hiram Powers, Pierre-Auguste Renoir, George Rickey, Auguste Rodin, James Rosati, Augustus Saint-Gaudens, Lucas Samaras, George Segal, Mark di Suvero, Tom Wesselmann and Jack Zajac.[6] [seven] The permanent collection is presented in 32 galleries and six courtyards.
The museum traces the history of fine art in Hawai'i, with a gallery dedicated to Hawaiian traditional arts, art by Hawai'i artists, and art of Hawai'i.
The permanent collection is presented in 32 galleries and six courtyards.
Access [edit]
The Honolulu Museum of Fine art occupies 3.2 acres (13,000 thousandii) near downtown Honolulu. The museum is open to the public Thursday through Sunday. Admission is free to members, children 18 & nether and for some events, but otherwise a fee is charged. Free access is offered to Hawai'i residents on the tertiary Sunday of the month from 10 a.m. until 6 p.g.[8] Guided tours are offered several times daily.
Hours [edit]
The museum is open: Thursday ten am - 6 pm, Friday ten am - 9 pm, Saturday ten am - 9 pm, Dominicus 10 am - 6 pm. Closed Monday - Wednesday.
Doris Duke Theatre [edit]
The Doris Knuckles Theatre at the museum seats 280. It hosts movies, concerts, lectures, and presentations.
Robert Allerton Fine art Library [edit]
In 1927, the Inquiry Library opened with 500 books. In 1955, it was expanded and named for Robert Allerton. The collection includes 45,000 books and periodicals, biographical files on artists, and auction catalogues dating to the commencement of the 20th century. The library is a non-circulating research facility with a reading room open up to the public.[9]
Honolulu Museum of Art School [edit]
Instruction has been at the core of the Honolulu Museum of Art's mission since information technology opened in 1927. Today the museum serves more than twoscore,000 children and adults annually through free schoolhouse tours, classes and workshops, outreach programs, activity-filled gratis museum days, free lectures, and other special programming held throughout the year.
The Honolulu Museum of Art School (formerly the Academy Art Center at Linekona) opened in 1990, and now serves thousands of children and adults each year.
The Honolulu Museum of Art Schoolhouse is currently undergoing renovations, and is fix to reopen in summer 2022.[10]
Shangri La: Doris Duke Foundation for Islamic Art [edit]
Shangri La is a museum for learning about the global culture of Islamic art and design through innovative exhibitions, educational initiatives, public programs, and customs partnerships. Through a partnership with the Honolulu Museum of Fine art (HoMA), visitors may tour Shangri La. Reservations are required.[11]
Doris Duke (1912–1993) built Shangri La with the aid of American architect Marion Sims Wyeth. Duke'south drove of Islamic art was assembled over threescore years.
History [edit]
Anna Rice Cooke (1853–1934), daughter of New England missionaries and founder of the Honolulu Museum of Art, in her dedication statement at the opening of the museum on Apr 8, 1927, said:
"That our children of many nationalities and races, born far from the centers of fine art, may receive an intimation of their own cultural legacy and wake to the ideals embodied in the arts of their neighbors ... that Hawaiians, Americans, Chinese, Japanese, Koreans, Filipinos, Northern Europeans and all other people living here, contacting through the channel of art those deep intuitions common to all, may perceive a foundation on which a new culture, enriched by the old strains may be built in the islands." —Anna Rice Cooke [12]
Built-in on Oʻahu in 1853, Cooke grew upward on Kauaʻi island in a home that appreciated the arts. In 1874, she married Charles Montague Cooke and the two eventually settled in Honolulu. In 1882, they built a dwelling house on Beretania Street, across from Thomas Square. As Cooke's career prospered, they gathered their private art drove. First were "parlor pieces" for their home. She frequented the store of piece of furniture maker Yeun Kwock Fong Inn who frequently had ceramics and textile pieces sent from his brother in China.
The Cookes' fine art collection outgrew their habitation and the homes of their children. In 1920, she and her daughter Alice (Mrs. Phillip Spalding), her daughter-in-law Dagmar (Mrs. Richard Cooke), and Catharine East. B. Cox (Mrs. Isaac Cox), an art and drama instructor, began to catalogue and research the collection with the intent to display the items in a museum. With piddling formal training, these women obtained a lease for the museum from the Territory of Hawaii in 1922, while continuing to catalogue the collection. Cooke wanted a museum that reflected Hawaiʻi's multi-cultural make-up. Not bound by the traditional western idea of art museums, she likewise wanted to showcase the isle's climate in an open and blusterous environment, using courtyards which interconnect the galleries throughout the museum.
The Cookes donated their Beretania Street country along with an endowment of $25,000. Their home was torn downwardly to make way for the museum. New York architect Bertram Goodhue designed a classic Hawaiian-style building with unproblematic off-white exteriors and tiled roofs.[xiii] Goodhue died before the project was completed; it was finished past Hardie Phillip. This style has been imitated in many buildings throughout the state.
On April 8, 1927, the Honolulu Museum of Art opened. In that location was a traditional Hawaiian blessing and the Royal Hawaiian Ring, nether the management of Henri Berger, played at festivities. With the opening of the museum came gifts of many pieces, sometimes even entire collections. Additions to the original building include a library (1956), an teaching fly (1960), a gift shop (1965), a cafe (1969), a gimmicky gallery, administrative offices and 292-seat theater (1977), and an art center for studio classes and expanded educational programming (1989). In 1999, the museum created a children's interactive gallery, lecture hall, and offices.[12]
The original building was named Hawaiʻi'due south all-time building past the Hawaiʻi Chapter of the American Institute of Compages and is registered as a National and Country Historical site. The museum is accredited past the American Alliance of Museums.
In 1998, all-encompassing renovation began starting with the Asian fly. In September 1999, construction began on the John Hara-designed Henry R. Luce Pavilion Complex, which opened May 13, 2001. Information technology includes expanded spaces for The Pavilion Café and The Museum Shop and a new two-story exhibition construction. The Luce Circuitous is named for Henry R. Luce, the co-founder and editor of Time Magazine and other publications. His widow, Clare Boothe Luce, had a residence in HawaiÊ»i and served on the museum's board of trustees from 1972–1977.
New galleries exploring cross-cultural influences, were renovated and re-opened in the Western Wing in November 1999. A new gallery for Korean art was opened in June 2001. New galleries for the arts of Bharat, Republic of indonesia, and Southeast Asia were renovated and opened in January 2002. A new gallery for the fine art of the Philippines named for retiring Museum Director and his wife, George and Nancy Ellis, opened in 2003. In February 2005, the museum opened an Asian Painting Conservation Studio and in December 2005, completed renovation of the Western Art galleries.
In 2001, the museum entered into a partnership with the Doris Knuckles Foundation for Islamic Art and the theater was refurbished and renamed for her in July 2002. In October 2002, the museum opened a new gallery that serves as the orientation heart for all tours to Doris Duke's Honolulu estate Shangri La, which started on November 6, 2002.
Due to the 2019–xx coronavirus pandemic the museum laid off one third of its total-time workers & every seasonal worker that worked part time to reduce the spread of COVID-19 on Apr 17, 2020.[14]
The Gimmicky Museum and Honolulu Academy of Arts Merge [edit]
The former Contemporary Museum, Honolulu in Makiki Heights was integrated into the Honolulu Academy of Arts in July 2011. The University'southward board of trustees voted in December 2011 to change the museum'due south public name to the Honolulu Museum of Art every bit of March 2012, retaining its legal proper name as the Honolulu Academy of Arts. The former Gimmicky Museum, or Spalding House, became the Honolulu Museum of Fine art Spalding Business firm, the Art Center at Linekona became the Honolulu Museum of Fine art School, and The Contemporary Museum at Get-go Hawaiian Center became the Honolulu Museum of Art at First Hawaiian Middle.[15]
Sale of Spalding Business firm [edit]
On July 16, 2019, the museum appear that its lath of trustees would exist selling Spalding House in an endeavor to "allow the museum to focus its resource on its principal campus at Beretania Street."[16]
Acting managing director and trustee, Marking Burak, stated: "From a fiduciary standpoint, nosotros've taken a very long and difficult look at this from all angles. While the Spalding Firm belongings's beauty and historic significance make information technology difficult to part with, it has also been challenging splitting our attention between two big, resources-intensive fine art campuses, one limited by several factors that have made it hard to deliver the kind of quality fine art exhibitions, programs and services nosotros have desired."
Trustee and chairman of the Edifice and Grounds Committee, Jim Pierce, added: "The commission concluded unanimously that it would exist to the long-term benefit of HoMA to fix Spalding Firm for sale. Nosotros are fortunate to have a board and employees who carefully evaluate all options for the futurity and are continually making changes to ensure that we maintain the solid financial footing necessary to fulfill our mission. Making and enabling this decision has been determined to stand for skilful business practice for the long term." said Jim Pierce, trustee and chairman of the Building and Grounds Committee, in the release.
Following these comments regarding the fiduciary responsibility of the Lath, many community members speculated on well-existence of the institution. In his editorial, Loss Of Spalding House A Reminder Onetime Money Alone Won't Sustain The Arts, Sterling Higa speculated on the financial history of the institution, wide spread urban development beyond Honolulu, and the inflow of new strange investment. He writes: "Our islands play host to out-of-state wealth. Japanese, Canadian and Chinese coin pours in. Silicon Valley billionaires plant roots. Given the context, it seems likely that Spalding House will be sold to a foreign buyer, and the grounds will no longer exist accessible to the general public. We can pray for conservancy, but salvation may not come. Better to hope that the new oligarchy is equally generous as the sometime oligarchy, which ancestral the states relics like Spalding House.[17]
Directors [edit]
- Halona Norton-Westbrook: 2020 to present[xviii]
- Sean O'Harrow: 2017 to 2019
- Stephan Jost: 2011 to 2016
- Stephen Little: 2003 to 2010
- George R. Ellis: 1982 to 2003
- James W. Foster: 1963 to 1982
- Robert P. Griffing, Jr.: 1947 to 1963
- Edgar C. Schenck: 1935 to 1947
- Kathrine McLane Jenks: 1929 to 1935
- Catharine Due east. B. Cox: 1927 to 1928
- Frank M. Moore: 1924 to 1927
Education [edit]
Pedagogy has always been an integral role of the Honolulu Museum of Fine art's mission. Working closely with educators and schools, the museum provides tools and experiences to make visual art a foundational element of learning.[19] The museum'south education programs include guided tours, workshops, gallery classes, and children'southward art activities. School programs include art classes for Special Didactics students and programs for students in Hawaiʻi public schools, which combine museum tours and easily-on experience creating art in studio classes at the art heart. Its educational resources support educators, collectors, students, members, artists and art historians with a small library and a non-reservation collection.
Tours [edit]
Docents bear tours for the public, school groups (pre-school and up), and community organizations. Groups of x or more than persons and classes are requested to schedule tours at to the lowest degree two weeks in advance[20].
Special tours, focusing on temporary exhibitions ofttimes include supplementary materials and activities, some peculiarly designed for children. Workshops for teachers and other educators may also be offered. Theme tours concentrate on a specific country, region, time catamenia, art movement, or groups of artists.
Children [edit]
Gallery Hunt Action Sheets send visitors through the galleries to notice sure works of art that focus on a theme.
Working with the Hawaiʻi Section of Education and Hawai'i public schools, the museum provides art education programs for students across the state.
Other educational resources [edit]
The Robert Allerton Art Research Library is open up to higher-level students, members, and other adults for art historical research. It is a non-circulating collection of over xl,000 volumes in a closed stack system and includes general reference materials, museum archives, artist files, and auction catalogues. Gratuitous Cyberspace access is provided.
Lending Collection: Art objects, crafts and folk arts from around the world, books, and art piece of work reproductions are some of the many items available for loan in the Lending Collection. The Lending Collection is available to schools, libraries, and other customs organizations.
Luce Pavilion Complex [edit]
The Luce Pavilion complex, opened May 13, 2001, includes a new cafe, gift shop, and a 2-story building with 2 4,000-square-pes (370 thousandii) galleries. Other facilities include hugger-mugger storage, loading dock, dry-piping fire sprinklers, vertical transportation systems for passengers, remote video broadcast capabilities, conservation lighting control systems, and climate command system. The Luce Pavilion Complex is completely wheelchair attainable. The project toll over $9 million.
The complex added 26,000 foursquare feet (2,400 one thousandii), increasing the museum size to 143,000 foursquare feet (13,300 m2). The Luce Foundation donated $three.5 one thousand thousand towards the structure of the complex. Ground breaking ceremonies for the complex were held on September 23, 1999, and grand opening was May 13, 2001. The Henry R. Luce Gallery holds traveling exhibitions.
The John Dominis and Patches Damon Holt Gallery [edit]
The second floor gallery of the Henry R. Luce Wing in the Luce Pavilion Complex houses works from the museum's Arts of Hawai'i collection. The John Dominis and Patches Damon Holt Gallery includes an introduction to indigenous Hawaiian art, early Western views of Hawaiʻi, and the art of contemporary Hawaiʻi-based artists. The gallery reflects changing life and landscapes of mail service European-contact Hawaiʻi likewise as its exploration of Hawaiʻi's irresolute artistic traditions as Island communities grew and became less isolated during the 19th and early 20th centuries.
Early views of Hawaiʻi, dating from the last decades of the 18th century and the beginning of the 19th, past expedition artists such as England's John Webber and Robert Dampier, France's Auguste Borget and Stanislaus Darondeau, and Russia's Louis Choris, present images of the Western world's first contact with Hawaiʻi. Nineteenth-century images by European artists such as George Burgess, Paul Emmert, Nicholas Chevalier, and James Gay Sawkins, who passed through Hawaiʻi, show the growth of Western-style communities and an appreciation for the land and body of water.
The Holt Gallery likewise features painting, watercolors, drawings, prints and photographs by artists such as Enoch Wood Perry, Jules Tavernier, D. Howard Hitchcock, John La Farge, Georgia O'Keeffe, Ansel Adams, Brett Weston, Roi Partridge, and Jean Charlot. Works by Hawaiʻi-born artists including Marguerite Louis Blasingame, Isami Doi, Hon Chew Hee, Cornelia MacIntyre Foley, and Keichi Kimura reveal the development of an ethnic modernist tradition in 20th century Hawaiʻi, and include today'southward gimmicky artists including Lisa Reihana, James Jack and Yan Pei Ming. Other regional artists in the collection include Charles W. Bartlett, Juliette May Fraser, Shirley Russell, Madge Tennent, and John Young. The John Dominis and Patches Damon Holt Gallery also features space for irresolute exhibitions which focus on the arts of Hawaiʻi.
The Holt Gallery was named for John Dominis Holt and his late married woman Frances "Patches" Damon Holt. John Dominis Holt was born to part-Hawaiian parents of aliʻi rank. He learned the organized religion, customs, mythology, and the Hawaiian language. By the time he was a teen, he was already a genealogist.
Honorary trustee of the museum and wife of John Dominis Holt, Frances "Patches" Damon Holt was actively involved in many cultural projects. Descendant of a missionary family and a graduate of Punahou Schoolhouse, she received a law degree from Columbia Academy and was educated in England. Together with her older sis, Harriet Baldwin, she helped to oppose the H-3 project through Moanalua Valley. They also established a foundation to help preserve cultural and environmental values.
HoMA Café & Coffee Bar [edit]
The café was established in 1969. It had a simple carte and for over twenty years was operated by volunteers. Professional management and staff were gradually added. In September 1999, the café was moved during construction of the Luce Pavilion Circuitous, and more than doubled in size to iii,100 square feet (290 m2). Information technology overlooks a granite fountain with reflection pond and sculptures past Jun Kaneko.[21]
The HoMA Café offers coincidental, contemporary cuisine and refreshments along with a signature island-fashion hospitality, perfectly complementing the museum experience. The open-air Café is a designated ocean-friendly eating place, committed to operating as sustainably equally possible.
The Coffee Bar is located outdoors in the museum'due south Palm Courtyard, with a selection of java and tea drinks, beer and wines, and take hold of-and-go carte items.
There is no museum admission charge to dine at the Café during dejeuner hours.
Gallery [edit]
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Tirthankara, Bharat, tenth-11th century
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Tirthankar, Republic of india, c. 1118 AD
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Ganesha, Bronze, Republic of india, 19th century
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Vishnu with two attendants, India, 8th-9th century
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Chinese tomb sculpture of farmer, Han dynasty, 1st-2nd century CE
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Dog, Cathay, Han dynasty, 206 BCE-220 CE
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The Star God of Longevity, People's republic of china, Ming dynasty, 16th century
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Amida, Nihon, Muromachi menstruum, 15th century
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Processional Mask of Guardian Deity, Japan, Heian period, 1086
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Gilt bronze statue of Sakyamuni, Korea, Unified Silla Kingdom, 8th-9th century
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Hevajra statue, Nepal, 19th century
Encounter also [edit]
- Gustav Ecke
- Honolulu Museum of Art School
- Richard Douglas Lane
- Shangri La (Doris Duke)
- Spalding House
Footnotes [edit]
- ^ "National Register Information Organisation". National Register of Historic Places. National Park Service. July ix, 2010.
- ^ "Refining and Reimagining a Collection". Hawaii Business Mag. August 27, 2021.
{{cite web}}: CS1 maint: url-status (link) - ^ Ellis, George R., "Argument past George R. Ellis", Orientations, Dec. 1999, p. 30
- ^ Sigall, Bob, Several Pieces at Art Museum Have Fascinating Backgrounds, Honolulu Star Advertiser, June vii, 2013, p. B3.
- ^ Kealamakia, Spencer (April 6, 2022). "Allurement Infinite". Halekulani Living Television.
{{cite web}}: CS1 maint: url-status (link) - ^ Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990
- ^ Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000
- ^ "Program Your Visit". Honolulu Museum of Art.
{{cite web}}: CS1 maint: url-status (link) - ^ "Robert Allerton Art Library". Honolulu Museum of Art.
{{cite web}}: CS1 maint: url-status (link) - ^ "Art School". Honolulu Museum of Fine art.
{{cite web}}: CS1 maint: url-status (link) - ^ "Home". Shangri La Museum of Islamic Art, Culture & Design.
{{cite web}}: CS1 maint: url-condition (link) - ^ a b Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990, p.ten
- ^ Gurewitsch, Matthew (December 26, 2013). "A Hawaiian Grand Tour". The Wall Street Journal. p. D5.
- ^ Fujimori, Leila (April 17, 2020). "Honolulu Museum of Art lays off a third of full-timers, all role-timers and seasonal help". Honolulu Star-Advertiser.
- ^ Nakagawa, Lynn (December seven, 2011). "Honolulu Academy of Arts to be renamed Honolulu Museum of Art". Pacific Business organisation News. Retrieved nineteen June 2014.
- ^ Wu, Nina (2019-07-xvi). "Honolulu Museum of Fine art to sell historic Spalding Firm in Makiki". Honolulu Star-Advertiser . Retrieved 2019-08-04 .
- ^ "Sterling Higa: Loss Of Spalding Business firm A Reminder Old Money Solitary Won't Sustain The Arts". Honolulu Civil Beat. 2019-07-26. Retrieved 2019-08-04 .
- ^ "ARTnews in Cursory: Honolulu Museum of Art Names New Director—and More from October 31, 2019". ARTnews. 10/28/2019.
- ^ "Educators". Honolulu Museum of Art.
{{cite spider web}}: CS1 maint: url-status (link) - ^ "Tours". Honolulu Museum of Art.
{{cite spider web}}: CS1 maint: url-status (link) - ^ "Cafe". Honolulu Museum of Art.
{{cite web}}: CS1 maint: url-condition (link)
References [edit]
- Ecke, Gustav (1965). Chinese painting in Hawaii, in the Honolulu Academy of Arts and in individual collections. Honolulu: Academy University of Arts.
- Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990.
- Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000.
- Honolulu University of Arts, University Album; A Pictorial Pick of Works of Art in the Collections, Honolulu, Honolulu Academy of Arts, 1968.
- Honolulu Museum of Art, Honolulu Museum of Fine art Drove Highlights, Honolulu Museum of Art, 2016 ISBN 9780937426913
- Niggling, Stephen, Visions of the Dharma, Japanese Buddhist paintings and prints in the Honolulu Academy of Arts, Honolulu, Honolulu Academy of Arts, 1991, ISBN 0937426148
External links [edit]
- Official website
- Online gallery
Source: https://en.wikipedia.org/wiki/Honolulu_Museum_of_Art
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